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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description></description><title>Give Me Something To Read</title><generator>Tumblr (3.0; @givemesomethingtoread)</generator><link>http://givemesomethingtoread.com/</link><item><title>The Devil in Greg Dark</title><description>&lt;a href="http://www.esquire.com/ESQ0201-FEB_Greg_Dark_rev#ixzz1lAOOFipE"&gt;The Devil in Greg Dark&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;I met him four years ago. He was making pornography then. He was famous for it, sort of—famous for making the worst pornography, a pornography of transgression and violation, a pornography that seemed intended less to glorify sex than to advertise the death of the soul. People were calling him the devil back then—in fact, that’s exactly what he said when I met him: “People call me the devil”—but I liked him immediately. He was solicitous, and he was smart. He talked about surrealism and breaking down the wall between viewer and participant. Then I went to watch him make a pornographic movie out in the Valley and saw something so irredeemably obscene that I figured, Okay, Gregory Dark really is the devil, or at least someone I should stay away from.&lt;/p&gt;
  
  &lt;p&gt;Then, last year, I watched a Britney Spears video for a song called “From the Bottom of My Broken Heart” on MTV. I kept waiting for that adorable little cutlet to break out into a suggestive hootchy-koo, but she never did. The video was aggressively wholesome—given over to a wholesomeness that was unreal and fetishized—and at the end of it, when I looked for the name of its director, I saw that it was Gregory Dark. Then I saw a video by Mandy Moore, another teenage glamour-puss, who is marketed to little girls who are still too innocent for the coy come-ons of Britney Spears and the frank sexual howling of Christina Aguilera. Gregory Dark directed the Mandy Moore video, too. I called him up, and he said, “Oh, yes, I remember you—we were sort of friends.” He said that he didn’t make pornography anymore but had, in the years since, made about a hundred music videos. He said that he was in great demand, and that in fact he was trying to work out a deal to direct a feature film for New Line. I asked him what he was doing next, and he said he was directing a video for a fourteen-year-old girl. I asked whether I could come out and see him, and he hesitated—he was, he said, a changed man, and he didn’t want to be judged as a pornographer anymore. I pressed. I said, C’mon, man, you know me. At last he gave in, and I went out to see whether Gregory Dark was indeed a changed man or had simply cut some kind of crafty deal to take control of the hearts of America’s virgin daughters.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16973732323</link><guid>http://givemesomethingtoread.com/post/16973732323</guid><pubDate>Fri, 03 Feb 2012 08:45:05 -0500</pubDate><category>by Tom Junod</category></item><item><title>Feet In Smoke: A Story About Electrified Near-Death</title><description>&lt;a href="http://deadspin.com/5881337/feet-in-smoke-a-story-about-electrified-near death"&gt;Feet In Smoke: A Story About Electrified Near-Death&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;On the morning of April 21, 1995, my elder brother, Worth (short for Ellsworth), put his mouth to a microphone in a garage in Lexington, Kentucky, and in the strict sense of having been “shocked to death,” was electrocuted. He and his band, the Moviegoers, had stopped for a day to rehearse on their way from Chicago to a concert in Tennessee, where I was in school. Just a couple of days earlier, he had called to ask if there were any songs I wanted to hear at the show. I asked for something new, a song he’d written and played for me the last time I’d seen him, on Christmas Day. Our holidays always end the same way, with the two of us up late drinking and trying out our new “tunes” on each other. There’s something biologically satisfying about harmonizing with a sibling. We’ve gotten to where we communicate through music, using guitars the way fathers and sons use baseball, as a kind of emotional code. Worth is seven years older than I am, an age difference that can make brothers strangers. I’m fairly sure the first time he ever felt we had anything to talk about was the day he caught me in his basement bedroom at our old house in Indiana, trying to teach myself how to play “Radio Free Europe” on a black Telecaster he’d forbidden me to touch.&lt;/p&gt;
  
  &lt;p&gt;The song I had asked for, “Is It All Over,” was not a typical Moviegoers song. It was simpler and more earnest than the infectious power-pop they made their specialty. The changes were still unfamiliar to the rest of the band, and Worth had been about to lead them through the first verse, had just leaned forward to sing the opening lines—”Is it all over? I’m scanning the paper / For someone to replace her”—when a surge of electricity arced through his body, magnetizing the mike to his chest like a tiny but obstinate missile, searing the first string and fret into his palm, and stopping his heart. He fell backward and crashed, already dying.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16973380371</link><guid>http://givemesomethingtoread.com/post/16973380371</guid><pubDate>Fri, 03 Feb 2012 08:30:05 -0500</pubDate><category>by John Jeremiah Sullivan</category></item><item><title>Why the Clean Tech Boom Went Bust</title><description>&lt;a href="http://www.wired.com/magazine/2012/01/ff_solyndra/all/1"&gt;Why the Clean Tech Boom Went Bust&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;In 2005, VC investment in clean tech measured in the hundreds of millions of dollars. The following year, it ballooned to $1.75 billion, according to the National Venture Capital Association. By 2008, the year after Doerr’s speech, it had leaped to $4.1 billion. And the federal government followed. Through a mix of loans, subsidies, and tax breaks, it directed roughly $44.5 billion into the sector between late 2009 and late 2011. Avarice, altruism, and policy had aligned to fuel a spectacular boom. Anyone who has heard the name Solyndra knows how this all panned out. Due to a confluence of factors—including fluctuating silicon prices, newly cheap natural gas, the 2008 financial crisis, China’s ascendant solar industry, and certain technological realities—the clean-tech bubble has burst, leaving us with a traditional energy infrastructure still overwhelmingly reliant on fossil fuels. The fallout has hit almost every niche in the clean-tech sector—wind, biofuels, electric cars, and fuel cells—but none more dramatically than solar.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16918957085</link><guid>http://givemesomethingtoread.com/post/16918957085</guid><pubDate>Thu, 02 Feb 2012 08:45:06 -0500</pubDate><category>by Juliet Eilperin</category><category>technology</category></item><item><title>Burning Man</title><description>&lt;a href="http://www.gq.com/news-politics/newsmakers/201202/burning-man-sam-brown-jay-kirk-gq-february-2012?printable=true"&gt;Burning Man&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;On his first tour of duty in Afghanistan, Sam Brown was set on fire by an improvised explosive device. He survived, only to find himself, like thousands of other vets, doomed to a post-traumatic life of unbearable pain. Even hallucinogen-grade drugs offered little relief, and little hope. Then his doctors told him about an experimental treatment, a painkilling video game supposedly more effective than morphine. If successful, it would deliver Brown from his living hell into a strange new world—a digital winter wonderland.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16918622398</link><guid>http://givemesomethingtoread.com/post/16918622398</guid><pubDate>Thu, 02 Feb 2012 08:30:05 -0500</pubDate><category>by Jay Kirk</category></item><item><title>The Mark</title><description>&lt;a href="http://www.cazart.net/the-mark/"&gt;The Mark&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;The Federal Bureau of Investigation maintains more than ﬁfteen thousand “conﬁdential human sources.” The Drug Enforcement Administration has its own tipsters, as do the Secret Service and the Bureau of Alcohol, Tobacco, Firearms, and Explosives; over all, the Justice Department pays informants as much as a hundred million dollars a year. Trained agents like Grimm generally create new identities for their jobs, and spend months or years building up connections and gaining the trust of criminals. Conﬁdential informants like von Habsburg simply operate within their normal lives.
  Informants are especially valuable because they can collect evidence that would require court orders if they were government agents. In almost every successful case against a large-scale criminal enterprise—from the one against John Gotti’s Mob operation to those involving terrorists plotting against New York synagogues and subways—an informant has played a central role. “The human-source program is the lifeblood of the F.B.I.,” an assistant director of the Bureau told a congressional hearing in 2007.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16862847705</link><guid>http://givemesomethingtoread.com/post/16862847705</guid><pubDate>Wed, 01 Feb 2012 08:45:05 -0500</pubDate><category>by Evan Ratliff</category><category>crime</category></item><item><title>Raise the Crime Rate</title><description>&lt;a href="http://nplusonemag.com/raise-the-crime-rate"&gt;Raise the Crime Rate&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;America’s prison system is a moral catastrophe. The eerie sense of security that prevails on the streets of lower Manhattan obscures, and depends upon, a system of state-sponsored suffering as vicious and widespread as any in human history. Dismantling the system of American gulags, and holding accountable those responsible for their operation, presents the most urgent humanitarian imperative of our time.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16862502763</link><guid>http://givemesomethingtoread.com/post/16862502763</guid><pubDate>Wed, 01 Feb 2012 08:30:05 -0500</pubDate><category>by Christopher Glazek</category><category>crime</category></item><item><title>Tyler Clementi’s Suicide and Dharun Ravi’s Trial</title><description>&lt;a href="http://www.newyorker.com/reporting/2012/02/06/120206fa_fact_parker?currentPage=all"&gt;Tyler Clementi’s Suicide and Dharun Ravi’s Trial&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;On a Saturday night in August, 2010, a week before starting college, Dharun Ravi decided to look online for his future Rutgers roommate. He was living with his parents in Plainsboro. Ravi, who was planning to major in math and economics, had learned that he had been assigned to Davidson Hall—a collection of single-story, barracks-like dorms on Busch campus, which is considered the dullest of the four Rutgers campuses in New Brunswick and neighboring Piscataway. He would be in Davidson Hall C, a coed dorm for about eighty students. He knew Clementi’s first name and that his last name started with C; he also knew his e-mail address, keybowvio@yahoo.com—apparently, a distillation of musical terms—and had e-mailed him but received no reply.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16817715458</link><guid>http://givemesomethingtoread.com/post/16817715458</guid><pubDate>Tue, 31 Jan 2012 09:00:06 -0500</pubDate><category>by Ian Parker</category></item><item><title>A Fighter Abroad</title><description>&lt;a href="http://www.grantland.com/story/_/id/7476455/brian-phillips-boxing-career-freed-american-slave-tom-molineaux"&gt;A Fighter Abroad&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;On December 10, 1810, in a muddy field around 25 miles from London, a fight took place that was so dramatic, controversial, and ferocious that it continues to haunt the imagination of boxing more than 200 years later. One of the fighters was the greatest champion of his age, a bareknuckle boxer so tough he reportedly trained by punching the bark off trees. The other was a freed slave, an illiterate African-American who had made the voyage across the Atlantic to seek glory in the ring. Rumors about the match had circulated for weeks, transfixing England. Thousands of fans braved a pounding rain to watch the bout. Some of the first professional sportswriters were on hand to record it.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16817364696</link><guid>http://givemesomethingtoread.com/post/16817364696</guid><pubDate>Tue, 31 Jan 2012 08:45:05 -0500</pubDate><category>by Brian Phillips</category></item><item><title>The Hunter Becomes the Hunted</title><description>&lt;a href="http://www.esquire.com/print-this/iraq-terrorist-hunter-0311?page=all"&gt;The Hunter Becomes the Hunted&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;You don’t know his name, and you’ve never seen his face. But this year, as America leaves Iraq for good after eight years of war, we also leave behind a man believed by our military and intelligence agencies to be the best terrorist hunter alive. He’s still there, hunting. And so are the terrorists.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16817021827</link><guid>http://givemesomethingtoread.com/post/16817021827</guid><pubDate>Tue, 31 Jan 2012 08:30:05 -0500</pubDate><category>by Daniel Voll</category></item><item><title>Sex, Lies, and Hit Men!</title><description>&lt;a href="http://www.texasmonthly.com/cms/printthis.php?file=feature2.php&amp;issue=2012-02-01"&gt;Sex, Lies, and Hit Men!&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;Jeffrey Stern was a wealthy personal injury lawyer who drove a Maserati. His wife, Yvonne, was a stunning carpool mom who loved Fendi dresses and Hermès handbags. Together they were the envy of their exclusive Bellaire neighborhood. Then came three bungled attempts on her life, the revelation that Jeffrey had taken a mistress, and the bombshell that investigators had accused the lovers of plotting to kill Yvonne.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16758948106</link><guid>http://givemesomethingtoread.com/post/16758948106</guid><pubDate>Mon, 30 Jan 2012 08:45:05 -0500</pubDate><category>by Skip Hollandsworth</category><category>crime</category></item><item><title>What's Wrong With the Teenage Mind?</title><description>&lt;a href="http://online.wsj.com/article/SB10001424052970203806504577181351486558984.html"&gt;What's Wrong With the Teenage Mind?&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;What happens when children reach puberty earlier and adulthood later? The answer is: a good deal of teenage weirdness. Fortunately, developmental psychologists and neuroscientists are starting to explain the foundations of that weirdness. The crucial new idea is that there are two different neural and psychological systems that interact to turn children into adults. Over the past two centuries, and even more over the past generation, the developmental timing of these two systems has changed. That, in turn, has profoundly changed adolescence and produced new kinds of adolescent woe. The big question for anyone who deals with young people today is how we can go about bringing these cogs of the teenage mind into sync once again.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16758602394</link><guid>http://givemesomethingtoread.com/post/16758602394</guid><pubDate>Mon, 30 Jan 2012 08:30:00 -0500</pubDate><category>by Alison Gopnik</category><category>science</category><category>greatest hit</category></item><item><title>Amazon's Hit Man</title><description>&lt;a href="http://www.businessweek.com/printer/magazine/amazons-hit-man-01252012.html"&gt;Amazon's Hit Man&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;In interviews, Amazon executives cast their new effort as an experiment in the booming world of e-books, not a plan to displace the Big Six—Random House, Simon &amp; Schuster, HarperCollins, Penguin, Hachette, and Macmillan. “What we’re building is more like an in-house laboratory where authors and editors and marketers can test new ideas,” says Jeff Belle, vice-president of Amazon Publishing and Kirshbaum’s boss. “Success to us means working with authors who want to find new ways to connect with more readers.” Talk like that hasn’t mollified publishers, and it’s easy to see why. They’re trying to protect a century-old business model—and their role as nurturers of literary culture—from encroachment by a company that consistently reimagines how industries can be run more efficiently. Book publishing, an inefficient industry if there ever was one, seems ripe for reimagining.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16576769741</link><guid>http://givemesomethingtoread.com/post/16576769741</guid><pubDate>Fri, 27 Jan 2012 08:45:05 -0500</pubDate><category>by Brad Stone</category></item><item><title>The Long Goodbye</title><description>&lt;a href="http://www.atlantamagazine.com/features/Story.aspx?ID=1629702"&gt;The Long Goodbye&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;Augustus Monroe figured he’d drop dead long before he’d need a nursing home. A decade later, his son considers the weighty financial and emotional costs that come with a parent’s immortality.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16576396672</link><guid>http://givemesomethingtoread.com/post/16576396672</guid><pubDate>Fri, 27 Jan 2012 08:30:05 -0500</pubDate><category>by Doug Monroe</category></item><item><title>Let the Robot Drive: The Autonomous Car of the Future Is Here</title><description>&lt;a href="http://www.wired.com/magazine/2012/01/ff_autonomouscars/all/1"&gt;Let the Robot Drive: The Autonomous Car of the Future Is Here&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;As we drive the Google car—or are driven by it—I watch the action unfold on the computer monitor mounted on the passenger side of the dashboard. It shows how the car is interpreting the world: lanes, signs, cars, speeds, distances, vectors. The rendering is nothing special—a lot of blocky wireframe that puts me in mind of Atari’s classic Battlezone. (The display is just one of a host of geeky details—to change lanes, for instance, the driver presses buttons marked Shift and Left on a keyboard near the monitor.) Yet it is absolutely fascinating, almost illicitly thrilling, to watch as the car not only plots and calculates the myriad movements of neighboring vehicles in the moment but also predicts where they will be in the future, like high-speed, mobile chess. Onscreen, the car is constantly “acquiring” targets, surrounding them in red boxes, tracing raster lines to and fro, a freeway version of John Madden’s Telestrator. “We’re analyzing and predicting the world 20 times a second,” Levandowski says.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16519876929</link><guid>http://givemesomethingtoread.com/post/16519876929</guid><pubDate>Thu, 26 Jan 2012 08:45:05 -0500</pubDate><category>by Tom Vanderbilt</category><category>technology</category></item><item><title>The Behavioral Sink</title><description>&lt;a href="http://www.cabinetmagazine.org/issues/42/wiles.php"&gt;The Behavioral Sink&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;So what exactly happened in Universe 25? Past day 315, population growth slowed. More than six hundred mice now lived in Universe 25, constantly rubbing shoulders on their way up and down the stairwells to eat, drink, and sleep. Mice found themselves born into a world that was more crowded every day, and there were far more mice than meaningful social roles. With more and more peers to defend against, males found it difficult and stressful to defend their territory, so they abandoned the activity. Normal social discourse within the mouse community broke down, and with it the ability of mice to form social bonds. The failures and dropouts congregated in large groups in the middle of the enclosure, their listless withdrawal occasionally interrupted by spasms and waves of pointless violence. The victims of these random attacks became attackers. Left on their own in nests subject to invasion, nursing females attacked their own young. Procreation slumped, infant abandonment and mortality soared. Lone females retreated to isolated nesting boxes on penthouse levels. Other males, a group Calhoun termed “the beautiful ones,” never sought sex and never fought—they just ate, slept, and groomed, wrapped in narcissistic introspection. Elsewhere, cannibalism, pansexualism, and violence became endemic. Mouse society had collapsed.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16519514420</link><guid>http://givemesomethingtoread.com/post/16519514420</guid><pubDate>Thu, 26 Jan 2012 08:30:05 -0500</pubDate><category>by Will Wiles</category><category>science</category></item><item><title>The Caging of America</title><description>&lt;a href="http://www.newyorker.com/arts/critics/atlarge/2012/01/30/120130crat_atlarge_gopnik?currentPage=all"&gt;The Caging of America&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;The scale and the brutality of our prisons are the moral scandal of American life. Every day, at least fifty thousand men—a full house at Yankee Stadium—wake in solitary confinement, often in “supermax” prisons or prison wings, in which men are locked in small cells, where they see no one, cannot freely read and write, and are allowed out just once a day for an hour’s solo “exercise.” (Lock yourself in your bathroom and then imagine you have to stay there for the next ten years, and you will have some sense of the experience.) Prison rape is so endemic—more than seventy thousand prisoners are raped each year—that it is routinely held out as a threat, part of the punishment to be expected. The subject is standard fodder for comedy, and an uncoöperative suspect being threatened with rape in prison is now represented, every night on television, as an ordinary and rather lovable bit of policing. The normalization of prison rape—like eighteenth-century japery about watching men struggle as they die on the gallows—will surely strike our descendants as chillingly sadistic, incomprehensible on the part of people who thought themselves civilized. Though we avoid looking directly at prisons, they seep obliquely into our fashions and manners. Wealthy white teen-agers in baggy jeans and laceless shoes and multiple tattoos show, unconsciously, the reality of incarceration that acts as a hidden foundation for the country.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16463510918</link><guid>http://givemesomethingtoread.com/post/16463510918</guid><pubDate>Wed, 25 Jan 2012 09:00:00 -0500</pubDate><category>by Adam Gopnik</category><category>greatest hit</category></item><item><title>The New French Hacker-Artist Underground</title><description>&lt;a href="http://www.wired.com/magazine/2012/01/ff_ux/all/1"&gt;The New French Hacker-Artist Underground&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;The first experiment by UX, in September 1981, was an accidental one. A Parisian middle schooler named Andrei was trying to impress a couple of older classmates, boasting that he and his friend Peter often snuck into places and were about to hit the Pantheon, an enormous former church that towers over the fifth arrondissement. Andrei got in so deep with his boast that to save face he had to follow through—with his new friends in tow. Like Claudia and Jamie in that famous children’s book From the Mixed-Up Files of Mrs. Basil E. Frankweiler, they hid out inside the building until it closed. Their nocturnal occupation turned out to be shockingly easy—they encountered no guards or alarms—and the experience electrified them. They thought: What else could we do?&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16463140851</link><guid>http://givemesomethingtoread.com/post/16463140851</guid><pubDate>Wed, 25 Jan 2012 08:45:05 -0500</pubDate><category>by Jon Lackman</category></item><item><title>The Mystery Behind Anesthesia</title><description>&lt;a href="http://www.technologyreview.in/biomedicine/39289/"&gt;The Mystery Behind Anesthesia&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;But though doctors have been putting people under for more than 150 years, what happens in the brain during general anesthesia is a mystery. Scientists don’t know much about the extent to which these drugs tap into the same brain circuitry we use when we sleep, or how being anesthetized differs from other ways of losing consciousness, such as slipping into a coma following an injury. Are parts of the brain truly shutting off, or do they simply stop communicating with each other? How is being anesthetized different from a state of hypnosis or deep meditation? And what happens in the brain in the transition between consciousness and unconsciousness? “We know we can get you in and out of this safely,” Brown says, “but we still can’t quite tell you how it works.”&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16462775663</link><guid>http://givemesomethingtoread.com/post/16462775663</guid><pubDate>Wed, 25 Jan 2012 08:30:05 -0500</pubDate><category>by Courtney Humphries</category><category>science</category><category>greatest hit</category></item><item><title>The Devastating Costs of the Amazon Gold Rush</title><description>&lt;a href="http://www.smithsonianmag.com/people-places/The-Devastating-Costs-of-the-Amazon-Gold-Rush.html?c=y&amp;story=fullstory"&gt;The Devastating Costs of the Amazon Gold Rush&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;In Peru alone, while no one knows for certain the total acreage that has been ravaged, at least 64,000 acres—possibly much more—have been razed. The destruction is more absolute than that caused by ranching or logging, which accounts, at least for now, for vastly more rainforest loss. Not only are gold miners burning the forest, they are stripping away the surface of the earth, perhaps 50 feet down. At the same time, miners are contaminating rivers and streams, as mercury, used in separating gold, leaches into the watershed. Ultimately, the potent toxin, taken up by fish, enters the food chain.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16406582887</link><guid>http://givemesomethingtoread.com/post/16406582887</guid><pubDate>Tue, 24 Jan 2012 09:00:05 -0500</pubDate><category>by Donovan Webster</category></item><item><title>All Aboard the Cocaine Express</title><description>&lt;a href="http://www.thestar.com/news/world/article/1118370--all-aboard-the-cocaine-express-deadly-cocaine-trade-reaches-new-depths"&gt;All Aboard the Cocaine Express&lt;/a&gt;: &lt;blockquote&gt;
  &lt;p&gt;Twenty-one metres long and constructed mainly of fibreglass, the craft had room for a six-member crew and 6,435 litres of diesel fuel. It was equipped with bunk beds, a ballast mechanism, a global positioning system, a 346-horsepower diesel engine, “scrubbing” devices to clean the air, a conning tower and a periscope with a night-vision camera. One estimate put the cost of constructing such a sophisticated device in the remote backwoods of South America at about $5 million. But that’s pocket change when measured against the anticipated value of the vehicle’s intended cargo — up to eight tons of pure cocaine, worth about $160 million wholesale in Dallas, Texas.&lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://givemesomethingtoread.com/post/16406228840</link><guid>http://givemesomethingtoread.com/post/16406228840</guid><pubDate>Tue, 24 Jan 2012 08:45:05 -0500</pubDate><category>by Oakland Ross</category></item></channel></rss>

